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Ceiling Paintings and their Interpretation between Image and Material Structure
Mádl, Martin
The study is devoted to the problem of material in the structure of a work of art and its importance in art historical interpretation. Using the example of wall paintings, we consider the problem of grasping the role of material in art historical interpretation of a painting and the difficulties of professional dialogue between art historians on the one hand and restorers and technologists on the other.
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Medieval Mural Painting in the Doupov Region. Churches of st. Nicolas and st.Wolfgang in Doupov.
Vrba, Martin ; Royt, Jan (advisor) ; Ottová, Michaela (referee)
Středověká nástěnná malba na Doupovsku Abstract This thesis focuses on medieval mural paintings in the area of the Doupov Mountains on two examples, church of St. Nicholas in Nepomyšl and destroyed cemetery church of St. Wolfgang in Doupov. Description of both churches contains historical background of its origin and decoration, including donors. Other parts of thesis deal with present condition of paintings, iconographical and iconological analysis as well as inspiration and analogy. In both cases the largest part takes the Christological cycle in the naves. The medieval paintings from two periods were recently uncovered in the church of St. Nicholas in Nepomyšl. The older of them are dated to the second half of 14th century. Remains of them are in the presbytary of the church. The younger are from the beginning of 16th century. They are in the nave and they are influenced by Cranach's graphics of Passion Cycle. The church of St. Wolfgang in Doupov was built at the end of the 14th century; nevertheless the donor of the paintings was Jan Mašťovský of Kolovraty, who died ca. 1527. After the World War II the German inhabitants were moved away and the military area was founded here. The church was not maintained and perished through the time. The paintings are preserved in the form of transfers, which were...
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Renaissance mural paintings and sgraffiti on the facades in town Prachatice
Žabková, Gabriela ; Zlatohlávek, Martin (advisor) ; Nespěšná Hamsíková, Magdaléna (referee)
Práce zpracovává renesanční fasádní nástěnné malby a sgrafita v Prachaticích. Časově je práce vymezena 16. stoletím, kdy město vlastnili Rožmberkové. Největší rozkvět města je spojen s vládou Viléma z Rožmberka v 2. polovině 16. století, kdy ve městě také vnikly všechny výpravnější figurální výzdoby domů. Výzdoba jednotlivých domů odráží postupný majetkový vzestup prachatických měšťanů. Realizace z 50. a 60. let 16. století jsou spíše výtvarně a také technologicky skromnější. Největší vzepětí jak majetkové tak také umělecké lze sledovat od začátku 70. let. Hrdost měšťanů a jejich estetické nároky nejlépe dokládá výzdoba Staré radnice. Nesmírně zajímavá a kvalitní výzdoba prachatických domů otvírá jako celek řadu otázek. Vedle dílenských a uměleckých souvislostí s ostatními jihočeskými městy, je to problém autenticity památky. Na některých fasádách, které byly pokládány za renesanční, se již s renesanční malbou ve skutečnosti nesetkáme. Jedná se o barokní novotvary, které motivickými částmi navázaly na původní výzdobu. Výrazné jsou odkazy na Rožmberky, které připomíná téměř každá fasáda. To nelze vysvětlit jinak, než jako výraz subordinace majiteli panství a tamnímu panovníkovi. Rožmberky na počátku 17. století v této roli vystřídal český král a říšský císař. KLÍČOVÁ SLOVA - Prachatice - renesance -...
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Provincial Courts in 16th Century Portrayals in Bohemia
Havlicová, Jindřiška ; Jarošová, Markéta (advisor) ; Doležalová, Eva (referee)
The diploma thesis Provincial Courts in 16th Century Portrayals in Bohemia deals with portrayals of the higher provincial courts sessions in Bohemia in the 16th century as well as with their typology. In this time arose mural paintings, which decorated representative spaces of some residences which belonged to the prominent nobleman families, pictures and graphics which illustrated treatises with law themes. The aim of this thesis is to map these portrayals, compare them and set them into the cultural-historical context.
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Medieval mural paintings in the cathedral of the Holy Spirit in Hradec Králové
Tehníková, Eleonora ; Hlaváčková, Jana Hana (advisor) ; Royt, Jan (referee)
The diploma thesis deals with medieval mural paintings. Its aim is to describe and classify the collection in terms of time and style in the context of contemporary production of mural paintings in the 14th century in Bohemia. In the introduction, historical realtionships connected with the Cathedral of the Holy Spirit are described and the development of church service in East Bohemia is outlined. The main part is concerned with the description, placement, iconographical determination of mural paintings and their present state. It especially focuses on analysing and specification of the iconography of different scenes, figures of saints and donators. Style analysis qualifies style resemblance, analogy, parallels and confronts the mural paintings with contemporary book, mural and carving production. It also deals with the problematics of over painting accidental intervention into the monument. This part deduces the probable creation time of the whole interior decoration of the decanal sacristy. The final part evaluates and recapitulates the whole problematics. The diploma thesis offers the first detailed analysis and evaluation of the paintings in the decanal sacristy of the Cathedral of the Holy Spirit in Hradec Králové and provides complete drawing and photographic documentation.
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The Passion Scenes in Murals in the 1st Half of the 14th Century in Bohemia
Kratochvílová, Denisa ; Royt, Jan (advisor) ; Jarošová, Markéta (referee)
The subject of this study is to chronicle and elaborate on the existing mural paintings in our territory depicting Passion of Christ in the first half of the 14th century in particular, from the iconographic perspective. The cycles from the first half of the 14th century in this thesis are follows: (i) The Passion Cycle in St. Wenceslas church in Bubovice; (ii) The Passion Cycle in St. George church in Čebín; (iii) The Passion Cycle in St. Peter and St. Paul church in Dalešice; (iv) The Passion Cycle in St. Martin church in Dolní Město; (v) The Passion Cycle in castle Houska chapel; (vi) The Passion Cycle in St. John the Baptist church in Jindřichův Hradec; (vii) The Passion Cycle in St. James the Greater church in Křeč; (viii) The Passion Cycle in Church of the birth of the Virgin Mary in Starý Plzenec; (ix) The Passion Cycle in the Former Johanit Commandery and the Church of St. Prokop at Strakonice. Keywords: mural painting, 14th century, The Passion of Christ, iconography
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Mural paintings in the urban environment on the borderland between Bohemia and Moravia in 16th and beginning of 17th century
Hamrlová, Anna ; Zlatohlávek, Martin (advisor) ; Nespěšná Hamsíková, Magdaléna (referee) ; Halama, Ota (referee)
Mural paintings in the urban environment in 16th and beginning of 17th century has been rather an ignored topic, however its artistic interpretation and iconographic concept says a lot about the life of residents during Renaissance. The art phenomenon in this work was studied on the borderland between Bohemia and Moravia, currently the place of Havlíčkův Brod, Pelhřimov and Jihlava districts. At the same time, this division facilitated systematic research and listing of surviving paintings. First, the study focuses on the summary of a colourful historical situation in the given place and religious affairs related in particular, but not only to the New Utraquism and Lutheranism which followed up local Utraquist foundations from the Hussite Era. One of the aims of the work is to study the relationship between religion and artistic or iconographic interpretation of paintings. Selected artistic sources related in particular to the graphic works of that time play also important role. This is why other chapters are dedicated to the study of the theory of art of mural paintings, urban houses abroad and in the concerned location, study of sacral interiors within the context of the Saxon environment, and the last chapter deals with the thematic and iconographic study of collected paintings. The results...
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Iconography of the last Judgement in Bohemian Romanesque art
Danihelková, Tereza ; Royt, Jan (advisor) ; Kubík, Viktor (referee)
Iconography of the Last Judgement in Bohemian Romanesque art This work is focused on Iconography of the Last Judgement in Bohemian Romanesque art. It's purpose is to chart drawings with this motive in Bohemian illuminations and mural painting of Romanesque epoch. It's goal is to compile and chronologically classified this works into progression of Bohemian art and also into progression of European art. To find analogy and foreign influences. This works compares specimen of this motif and how was the motif changed during progression of Bohemian Romanesque art.
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Provincial Courts in 16th Century Portrayals in Bohemia
Havlicová, Jindřiška ; Jarošová, Markéta (advisor) ; Doležalová, Eva (referee)
The diploma thesis Provincial Courts in 16th Century Portrayals in Bohemia deals with portrayals of the higher provincial courts sessions in Bohemia in the 16th century as well as with their typology. In this time arose mural paintings, which decorated representative spaces of some residences which belonged to the prominent nobleman families, pictures and graphics which illustrated treatises with law themes. The aim of this thesis is to map these portrayals, compare them and set them into the cultural-historical context.
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